run with me down field, he said
I'll love you like a doll.
and when it ends, I promise you
I won't even call.
I hate that I can't smell the outdoors of you,
I can't hear you talking in your sleep, or reading
poetry aloud, or see you shining the flashlight through my house
and I hate not touching you,
your belly,
your face. and I hate that you intellectualize my grief. And I hate secrets
and I hate cell phones and hallways and 7-11, I hate the pictures in my mind,
black vans and pupusas and bossa nova and I hate
tenor voices. I hate that I understand you and all this hate
run with me down field, he said
I'll love you like a doll.
and when it ends, I promise you
I won't even call.
and I hate most of all that you came into my life a hurricane
and ended up rearranging my landscape so that every day I loved living
and you watered my dessicated lawn and then you dissipated,
and only destruction was left behind, and memories of excitement,
violence, and joy, and the something,
unspeakable but something, powerful of us.
run with me down field, he said
I'll love you like a doll.
and when it ends, I promise you
I won't even call.
September 13, 2016
Longing for Home
For Ali
--------
I don't know what it's like
to be landless because of
war,
to crawl on the ground in starvation,
bypassing the fallen figs
and drawing circles in the dust,
hoping for beetles.
I don't know what it's like
to have my brother turn in to
a little bird, following the buzzards
in their flight to sustenance in the
dead eyes awaiting in other places.
I don't know the ache of walking
in blood mud or the exhaustion of crying
for the old and the never young. I only
know terrible paradise, and the Hell of
not belonging there.
--------
I don't know what it's like
to be landless because of
war,
to crawl on the ground in starvation,
bypassing the fallen figs
and drawing circles in the dust,
hoping for beetles.
I don't know what it's like
to have my brother turn in to
a little bird, following the buzzards
in their flight to sustenance in the
dead eyes awaiting in other places.
I don't know the ache of walking
in blood mud or the exhaustion of crying
for the old and the never young. I only
know terrible paradise, and the Hell of
not belonging there.
September 10, 2016
my puerto rican rum, pour
you smooth
textured dark.
you nut sweet candy, i
sit back and sip.
this private hold,
pink peppercorns,
you caramel and spice,
start me soft and build
straight up and
rolling in my mouth
and finish on
this smoky note.
i
drink you.
you nut sweet candy, i
sit back and sip.
this private hold,
pink peppercorns,
you caramel and spice,
start me soft and build
straight up and
rolling in my mouth
and finish on
this smoky note.
i
drink you.
stilletos and sneakers
hey you in the skin tight skirt
what shoes you wear on your flightplay again without regard
you shadow
he combs me with a light touch
soft movement back and forth,
finally pulling with his fist
each hair alives the precise circuit
running electricity
running electricity
to my
make me beautiful
she trims me of that excess
pulls tender, tug away
rapidly clearing pale from pale
pulls tender, tug away
rapidly clearing pale from pale
each cuticle cut a small jolt through fingers
running hot shock
running hot shock
to my
make me beautiful
she rubs me with salt and oil and i melt and i pay
think of touch, your thumb
jamming in the sole of my foot your mouth
back where it belongs
make me beautiful
September 4, 2016
Self harm
tiny little pinches
tiny little slice
skinny lines of scarlet and
clinking of the ice. gin and tonic lull me
sloely sing me off to sleep.
bedtime is so cold now
the darkness is so deep.
blades of razor kiss me
on tender open skin
let me know my heart still beats
without the perfume of you
tiny little slice
skinny lines of scarlet and
clinking of the ice. gin and tonic lull me
sloely sing me off to sleep.
bedtime is so cold now
the darkness is so deep.
blades of razor kiss me
on tender open skin
let me know my heart still beats
without the perfume of you
observation
The grass is knee deep
and it is not grass but
some weed called cow something. I think I’m supposed to
deal with it. The ivy
beds are overgrowing the stairs,
and the ivy beds are self overgrown with some other
vine.
There are three pots by the front door,
two cracked and containing only dirt,
the third holding beige flakes and a stick
that is a dead Japanese Maple. Welcome.
From where my left cheek is pressed,
from against the warm wood of the deck,
I have a perfect view with my right eye
of where the private investigators must have sat
all those days and nights, peeking into the windows
with night vision goggles and super-cameras,
assiduously taking notes, or
whatever it is they use and do to spy on lovers.
Decrepit derelict garden.
You’ve done my curb appeal in,
you know. This is
your fault. Because now,
on my stomach looking down, I can’t up myself
from the dusty, headed and toed by piles of pinecones
and pine needles and probably spiders, maybe ticks,
an older, uglier, horizontaler, knowinger, Juliette.
Between blinks I see
the deer ate the Hostas and who cares. Now the stalks are stubs.
Fitting. And apt
too: slices in the driveway host prickly
things,
and I could dig them out, probably. Or I could dump poison.
It’s not two months and unwanted still invades. I am lying here.
Waiting. For what. The
bee on the back of my knee should just
stop walking around there and sting me. This impatience with indecisiveness,
impatience with decisions. Maybe if I’d just close my legs
impatience with decisions. Maybe if I’d just close my legs
the pain would change.
He flew away.
He flew away.
September 3, 2016
whisper me under your breath
Next I was called mistress.
And I envision maude, playpens, and rude joy.
Rumours of lawbreaking lovemaking, ecstatic and
True.
how boring
sitting across from a direct woman,
who was displaying appropriate shock
and sympathy, the
conversation was vibrant,
helpful.
flowing. she asked piercing
questions
and being open and appreciative,
i was free, and she’d seen it all,
so honestly i replied, to her suggestion,
“must i be a wife?”
and she threw her head back, and
our hour was suddenly up.
we were gods
now old and now forever know
this time was our creation
violent, want. and
painting with tongues, seeing with skin,
defying definition. now
reimagine reimagine, this
our repetition,
misted sharp. and
pray come belly touch, come heat, come sate.
this plea too our creation
unkind need.
August 30, 2016
nature
my hungry wet hen
what am i supposed to do
i'd like to pet her
***
This haiku was written with a lover. Thank you, lover.
what am i supposed to do
i'd like to pet her
***
This haiku was written with a lover. Thank you, lover.
oops i did it again, she said
i joined you solemnly but
remember a distinct inability to speak above a whisper
those tender vows, which was not privacy as i claimed,
but shame that i already knew
you were my punishment
for years of ratso fatsoAugust 29, 2016
sleepless shone and were
now i see you passing
and face empty unbroke,
a corner deep careening,
young moon black and this dark choke.
full sleepless.
and face empty unbroke,
a corner deep careening,
young moon black and this dark choke.
full sleepless.
and still now i'm kept awake.
alarm me from afar, your
disarming eyes without raze
tinted of a stranger
absent raw unrestrained.
now insomniac remembranceof night alive day full awake.
when our body punt the scorchlight
when we lit and then we blazed.
then we shone, and were.
charged
true. i've wrecked up,
wracked up, i survive regrets: (starting smoking and
that brief second marriage) but
isn't one.
January 20, 2015
eos
when your eyelashes curl i forget
and then your hazel shoots straight, marble hard, stinging flashesand pierced by this i forget again and this is understandable
when your fingers slip slim and precise,
practiced, into spaces between night and dawn, places of hush or murmur,
that golden ring spreads peached air upon
our now dewed, now heavy and i have no memory
our now dewed, now heavy and i have no memory
January 19, 2015
windows
that sky is icewater white as
once your hair was above, pulled, pushed, dropping rainyour rain that seethed and balmed.
i remember our bed
and i burned and froze at afternoon, at night
blankets back to that touch
i slice a new window open and
devious wind's tongues hissing mosaic skin rhythms and
i am alone in bed.
and again i freeze and burn at afternoon, at nightblankets back to this touch
January 1, 2014
given the situation, instructions follow
secluded byways of hope, however slim, and
here fertile things possess no promise.
this is a graceless, wide bed of rage.
and with smeared, lipstick-oiled eyes,
sheathes open closing, quickly over brown rounds of self pity,
sheathes open closing. open closing over turned ground, at the turned cosmos
sheathes open closing. open closing over turned ground, at the turned cosmos
of a robin mid-flight. this one, the one with clipped wings clipped speech.
clipped years of gash gardens that, unflossed to your fang and dull-knifed,
impractical hook, he would not visit.
despite fixed behind, fall asleep to invented canticles. dream.
cold anniversaries
early december
and on and on, wondering
is it still?
oh yes. frosty lace, cloudy lingerie
melt and puddle. bright light, whiteness
drifts, and eyes open beneath,
under the slick shine of the black
grand piano, the strange
new carpet just as beige as the old
but not as soft
on my knees, my shins.
later my back bleeds.
spine scraping the plastic cream and eyes open,
above are tribal masks from pier one cultures
because it doesn't matter where, or what,
they ornament: like the instrument, the man
masks of seduction, grimace. but
smile: at the artificial flowers you planted
upon that open grave of last years, decades
early december and on and on
and this is a cold anniversary,
this is an oh yes.
and on and on, wondering
is it still?
oh yes. frosty lace, cloudy lingerie
melt and puddle. bright light, whiteness
drifts, and eyes open beneath,
under the slick shine of the black
grand piano, the strange
new carpet just as beige as the old
but not as soft
on my knees, my shins.
later my back bleeds.
spine scraping the plastic cream and eyes open,
above are tribal masks from pier one cultures
because it doesn't matter where, or what,
they ornament: like the instrument, the man
masks of seduction, grimace. but
smile: at the artificial flowers you planted
upon that open grave of last years, decades
early december and on and on
and this is a cold anniversary,
this is an oh yes.
November 2, 2013
the woman in black
the word bag is mean and
when i am skin and bones
there are times of thatwhen i am skin and bones
enemy, foreign, i offering coffee as
insult to your sonhood, not taking
traffic circles seriously enough. these
times i fly side to side anchored to
knowing i am despised and strangers
say hello and call me dear and it's
because they don't know my eyes
without black rings, my mouth colorless
without black rings, my mouth colorless
those fists of thought, of words, fists, jabs
from eyes and frustrated sighs and
fake smiles as walking down the sidewalk,
we don't get each other's jokes.
from eyes and frustrated sighs and
fake smiles as walking down the sidewalk,
October 31, 2013
a phrase between us
i bite your beard
you holler and wounded, i look into your eyes and
bite again. acceso. this time. you scream don't and
i look into your eyes again and wounded barbarous i
again, bird's eye baby no blood shows it moves
measured, as i do, pushing, incinerate in common time,
this canon bite scream bite scream pause.
pause. (this is the romantic round)
holler more. work the straps if you want, tongue a riff you holler and wounded, i look into your eyes and
bite again. acceso. this time. you scream don't and
i look into your eyes again and wounded barbarous i
again, bird's eye baby no blood shows it moves
measured, as i do, pushing, incinerate in common time,
this canon bite scream bite scream pause.
pause. (this is the romantic round)
sing your voice across the vertebrae, our octaves, the top
c. sure, i'll play it bite float you
above, ground hard, coda.
we are movement in this somewhere
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